Table of contents.
A Guide To Your Compilation: Getting started.
by The Public Records OfficeP1
Introduction from the Compiler: On assembling the memoirs of a literary movement.
by Samson ManoahP2
Section A:
An overemphasis on the importance of interest.
by Samson ManoahA1
Quote from Brock Sobson, disillusionist
such joy is interest!
by Ruth Crimson-FordeA3from Call it Awash: Stories and aphorisms.
this is fiction.
by Samson ManoahA4from A longitudinal case study into motherlessness.
i was conceived accidentally
by Samson ManoahA5from A longitudinal case study into motherlessness.
my mother died when i was born.
by Samson ManoahA6from A longitudinal case study into motherlessness.
facing graceless heavens
by Samson ManoahA7from A longitudinal case study into motherlessness.
if there’s a difference between
by Samson ManoahA8from A longitudinal case study into motherlessness.
we were playing charades one night at this guy dalberck’s place.
by Samson ManoahA9from A longitudinal case study into motherlessness.
Art Talk: Interview with musician Styman Thomason.
by Bary Duvet interviews Styman ThomasonA10
The Education Reform Act: A retrospective.
by Murv Hullins, Creagan Tresslewood, & Pethe Purgel A11
On Remerica: The re-rebirth of a nation.
by Grilson Runnoweigh-JolesA12
The Funnels of Influence: How artists’ influences influence artists now.
by Br. Norman-Leanne Fiddlestock, et al.A13
august
by Ruth Crimson-FordeA14from August
may
by Ruth Crimson-FordeA15from August
july
by Ruth Crimson-FordeA16from August
The Outcome of Firsts: How skillsets develop after our first encounters with them.
by Phillus HarbingerA17
Quote from Yort Undertow, founder of Scruples and Qualms, Ltd
july
by Ruth Crimson-FordeA19from August
july
by Ruth Crimson-FordeA20from August
The Allegory of the Two Chefs
by Umbrin CrattlepodA21
Mechanical and Fluid Skillsets: An inquiry into learning and developing skills.
by Thadd J. CrampA22from Mechanical and Fluid Skillsets: An inquiry into learning and developing skills
Inherent Rewards in Learning by Interest: The importance of self-driven discovery.
by Debruh Vernt, M.T.A23
The Language of Skillsets: A dictionary for Fluid and Mechanical Development.
by Kimbully BritchesA24
august
by Ruth Crimson-FordeA25from August
may
by Ruth Crimson-FordeA26from August
August
by Ruth Crimson-FordeA27from August
Most Popular Negative Opinion of Call it Awash: Stories and aphorisms. by Ruth Crimson-Forde
by Geery WhifflemunA28from Public Opinion
What is Interest? An inspection of our most overlooked and undervalued asset.
by Terri FerngloveA29
Quote from Fillian Dodson, researchologist
Left To Their Own Devices: An examination of human tendencies in researching information.
by Quilite Dellicube, B.s.D. A31
Quote from Kern Brimston, mathemusician
Frē
by The All Knowledge CommunityA33from All Knowledge entry
Quote from Belaine Roomtownsend, expert permutationist
The Frē Market: The economics of Frē.
by Dillhole SmithA35
Chapter Four: The birth of Pay Attention
by Red ParkerA36
Most Popular Positive Opinions of Frē
by Members of the PublicA37
Qualities of Freeform Fiction: A definitive guide.
by Cawl StrinkinA38
Interview with Samson Manoah: Self-proclaimed creator of Freeform Fiction.
by Simin GrettyA39from Transcription
for what is a better example of love
by Samson ManoahA40from A longitudinal case study into motherlessness.
i visited my childhood home,
by Samson ManoahA41from A longitudinal case study into motherlessness.
i spent the formative months of my life
by Samson ManoahA42from A longitudinal case study into motherlessness.
i almost found my self once
by Samson ManoahA43from A longitudinal case study into motherlessness.
Prodding the Collective Memory: Considering compilation as a career.
by Eldon Backertrak Jr.A44
Every Search is Important: An overview of the Public Record’s eco-system.
by Paulmer AnianA45
so hot that it hurts my scalp.
by Ruth Crimson-FordeA46from Call it Awash: Stories and aphorisms.
well, of course,
by Ruth Crimson-FordeA47from Call it Awash: Stories and aphorisms.
i need your context
by Ruth Crimson-FordeA48from Call it Awash: Stories and aphorisms.
every person covets
by Ruth Crimson-FordeA49from Call it Awash: Stories and aphorisms.
Collecting the Connections in Every Thing: Compilation as a career.
by Dame KóstinaA50
The Rise of Liv Entertainment: An analysis of the societal shift from pre-recorded content to Līv feeds.
by Maleesha NeabownA51from Transcription
watching civilians
by Samson ManoahA52from A longitudinal case study into motherlessness.
Recollect: An experimental study on the use of memory recovery techniques for psychological therapy.
by Samson ManoahA53from A longitudinal case study into motherlessness.
the program started
by Samson ManoahA54from A longitudinal case study into motherlessness.
emilou’s tongue is in my mouth
by Samson ManoahA55from A longitudinal case study into motherlessness.
there was this huge pane of glass in the house,
by Samson ManoahA56from A longitudinal case study into motherlessness.
two asleep
by Samson ManoahA57from A longitudinal case study into motherlessness.
i spent the day
by Samson ManoahA58from A longitudinal case study into motherlessness.
Most Popular Negative Opinion a longitudinal case study on motherlessness. By Samson Manoah
by Leecy RiggitA59from Public Opinion
Samson Manoah: An author discusses his art.
by Tee B. Killoway interviews Samson ManoahA60
Freeform Fiction
by The All Knowledge CommunityA61from All Knowledge entry
Quote from Priscillia Cappercorn, author of What Isn’t Freeform Fiction: A process of elimination.
the definition of freeform fiction:
by Samson ManoahA63from Just words in a certain order
i am using this compilation
by Samson ManoahA64
Quote from Dorbin Strugler, art philosopher
Section B:
The history of Post-Historic Art.
by Samson ManoahB1
Post-Historic Art: In memoriam.
by Deblinn CranmerB2
marriage is
by Frida BilsonB3from with Abandon
listfully listening
by Frida BilsonB4from with Abandon
the entire spectrum of the Northern Lights,
by Frida BilsonB5from with Abandon
we went to the beach last week.
by Frida BilsonB6from with Abandon
remind me to sit up straight every once in a while,
by Frida BilsonB7from with Abandon
i always knew
by Frida BilsonB8from with Abandon
Abandon moved next-door last week.
by Frida BilsonB9from with Abandon
Philomena Bakingspree
by The All Knowledge CommunityB10from All Knowledge entry
Relief Dance
by The All Knowledge CommunityB11from All Knowledge entry
Glosy Mantell.
by The All Knowledge CommunityB12from All Knowledge entry
Quote from Dorbin Strugler, art philosopher
What A Relief: The memoirs of Philomena Bakingspree.
by Philomena Bakingspree & Karoll Tutlett Sp.B14
The Personal Conditions Manual: Why it is and when it wasn’t.
by Deesy VoratorB15from Call it Awash: Stories and aphorisms.
Developing the Personal Conditions Manual
by Constance RhubarbB16from Transcription
You and i rolled and toppled
by Frida BilsonB17from with Abandon
i like knowing that She has pooped recently
by Frida BilsonB18from with Abandon
She is with Abandon again.
by Frida BilsonB19from with Abandon
oh, well
by Frida BilsonB20from with Abandon
my Love is out there
by Frida BilsonB21from with Abandon
i’m an old book that She loves to reread.
by Frida BilsonB22from with Abandon
i am jealous for You.
by Frida BilsonB23from with Abandon
the three of us last night
by Frida BilsonB24from with Abandon
She is here with Abandon.
by Frida BilsonB25from with Abandon
She moaned in her sleep,
by Frida BilsonB26from with Abandon
what is my value
by Frida BilsonB27from with Abandon
what is more devastating
by Frida BilsonB28from with Abandon
i was sitting on a long bench in a coffee shop
by Frida BilsonB29from with Abandon
Abandon was at the front door
by Frida BilsonB30from with Abandon
Quote from Reveka Herndin, Famous quotationist
The Relative Experience Chart
by The All Knowledge CommunityB32from All Knowledge entry
The Relative Experience Chart: A system for charting the human experience.
by Wilmette Colfton-Fury & Heinza SchwinmanB33
is this how it starts?
by Ruth Crimson-FordeB34from Call it Awash: Stories and aphorisms.
The other night
by Ruth Crimson-FordeB35from Call it Awash: Stories and aphorisms.
i can’t control
by Ruth Crimson-FordeB36from Call it Awash: Stories and aphorisms.
if you can find tragedy in anything,
by Ruth Crimson-FordeB37from Call it Awash: Stories and aphorisms.
i am a long hair
by Ruth Crimson-FordeB38from Call it Awash: Stories and aphorisms.
rent some beauty
by Ruth Crimson-FordeB39from Call it Awash: Stories and aphorisms.
a retrospective:
by Ruth Crimson-FordeB40from Call it Awash: Stories and aphorisms.
Doris was alone at home
by Ruth Crimson-FordeB41from Call it Awash: Stories and aphorisms.
On Relative Psychology: The personal pain scale.
by Proonish MarigoldB42from Transcription
Relative Psychology: Using Great Tragedies to predict relational acuity.
by Glosy MantellB43from Clinical Poetry
Relationships and Languages: The same side of the same coin.
by Ransel ParalelogrumB44
the other day I stumbled
by Frida BilsonB45from with Abandon
in the middle of a train station
by Frida BilsonB46from with Abandon
i had a premonition about
by Frida BilsonB47from with Abandon
floundering gasping quiet unmovingly
by Frida BilsonB48from with Abandon
swallow me.
by Frida BilsonB49from with Abandon
Abandon,
by Frida BilsonB50from with Abandon
we two are drifting
by Frida BilsonB51from with Abandon
this morning she left me
by Frida BilsonB52from with Abandon
i hear the door open, ask Her:
by Frida BilsonB53from with Abandon
sometimes with You
by Frida BilsonB54from with Abandon
comfort and pleasure
by Frida BilsonB55from with Abandon
She loves me.
by Frida BilsonB56from with Abandon
a man made a commitment to his wife
by Frida BilsonB57from with Abandon
wait until after the storm,
by Frida BilsonB58from with Abandon
a fight.
by Frida BilsonB59from with Abandon
Quote from Frida Bilson, acclaimed young writer, gone too soon
Mechanical and Fluid Skillsets: An investigation into learning and developing skills.
by Thadd J. CrampB61from Mechanical and Fluid Skillsets: An inquiry into learning and developing skills
Quote from Jimes Hunry Smeth, expertician
out of the every we went,
by Frida BilsonB63from with Abandon
Abandon,
by Frida BilsonB64from with Abandon
we fucked last night.
by Frida BilsonB65from with Abandon
it is strange to me that there exists
by Frida BilsonB66from with Abandon
half asleep
by Frida BilsonB67from with Abandon
when faced with a radically difficult, life-changing decision,
by Frida BilsonB68from with Abandon
i wake up in Purgatory
by Frida BilsonB69from with Abandon
unwant.
by Frida BilsonB70from with Abandon
Quote from Margart P. Slumbuddie, founding member, Organismic Publishing
Fluidity and the Flow State: A momentary melding of the Skillset and the Self.
by Thomla KilleroyB72
Impersonation and Personification: Stepping out of the creative vacuum.
by Dorbin StruglerB73
Frē Speech: The Public Record’s impact on artistic creation.
by Bermice JacklewashB74
Quote from Flagrid Pench, Skillset counselor
Creation and Recreation: Methodology versus Conversation.
by Pernard QuinshentB76
the most important thing i’ve learned
is this:
by Frida BilsonB77from with Abandon
i am afraid She will leave me &
by Frida BilsonB78from with Abandon
why is She fighting to keep me
by Frida BilsonB79from with Abandon
steadily dribbling down chain-link gutters
by Frida BilsonB80from with Abandon
don’t say that,
by Frida BilsonB81from with Abandon
a cloud
by Frida BilsonB82from with Abandon
leaving You is a pain i heal from
by Frida BilsonB83from with Abandon
Mechanical and Fluid Skillsets: An investigation into learning and developing skills.
The Great Narrative: A personal story of tragedy and triumph.
by Ridgewither StrongB85
Coming of Age: The search for the Great Tragedy.
by Corbalt ThernB86
of anything i’ve yet found
by Frida BilsonB87from with Abandon
my only reservation
by Frida BilsonB88from with Abandon
I’ve run away with Abandon.
by Frida BilsonB89from with Abandon
i left and i’m lonely
by Frida BilsonB90from with Abandon
siphon my love from me
by Frida BilsonB91from with Abandon
Abandon held and cradled me,
by Frida BilsonB92from with Abandon
My breath, each one, lightens Me
by Frida BilsonB93from with Abandon
the forest floor,
by Frida BilsonB94from with Abandon
the relief was self-actualizing.
by Frida BilsonB95from with Abandon
a long, stray hair,
by Frida BilsonB96from with Abandon
and yet
by Frida BilsonB97from with Abandon
Popular Negative Opinion Of with Abandon by Frida Bilson.
by Duluth J. Minnisodæ, Jr.B98from Public Opinion
Most Popular Positive Opinion Of with Abandon by Frida Bilson.
by Ambrin CrabgrassB99from Public Opinion
Section C:
Timelessness versus irrelevance.
by Samson ManoahC1
a poem created from the essay:
Collectively Forgotten: An inquiry into timelessness. by Kurtsen, Wartsmith, et al.
by Glosy MantellC2from Clinical Poetry
Quote from Fembrolė Vermillyun, Mb.S., professor of timelessness at Brisbitt College
What Do You Mean, ‘Gone’? A guide to the Collective Memory.
by Sisselwrick BarteryC4
Every Now and Every Then: Recurrence in history.
by Craiglin BanshraftC5
Importance and the Collective Memory: Organizing the Public Record.
by Tauny GreesmunC6
Every Search is Important: An overview of the Public Record’s eco-system.
by Paulmer AnianC7
Quote from Redgy Graipdrin, bone carver
the PreERA is gone.
by Ruth Crimson-FordeC9from Call it Awash: Stories and aphorisms.
Quote from Djudy Baines, author, Please Don’t Forget Me, World: A memoir by Djudy Baines
Personal Records Cleanup Notice
by Public Records Automated Messaging SystemC11
Quote from Kenny Manscheif, fashionist
ERA 42: Collectively Forgotten: Authors.
by A Custodian of the Public RecordC13
here is a lesson i had in writing class.
by Samson ManoahC14from Just words in a certain order
Quote from Thresher Charles, creator of Freeform Fiction
Popular Positive Opinion Of: Rambling myself into a skein. by Thresher Charles.
by Firtle ButtleC16from Public Opinion
Most Popular Negative Opinion Of: Rambling myself into a skein. by Thresher Charles.
by Zarckary CheemskinC17from Public Opinion
What is worth writing anymore?
Certainly not that sentence.
by Thresher CharlesC18from Rambling myself into a skein.
I can't take anymore love I think.
by Thresher CharlesC19from Rambling myself into a skein.
Henry called me this morning.
Said he finally came under some luck.
by Thresher CharlesC20from Rambling myself into a skein.
Carrie hasn't been home for ten days now
—I'm not sure if she will be again.
by Thresher CharlesC21from Rambling myself into a skein.
I’m at the end of my fuels I think.
by Thresher CharlesC22from Rambling myself into a skein.
There is this high-pitched ringing in the house somewhere.
by Thresher CharlesC23from Rambling myself into a skein.
Isaac was the spitting image of me.
by Thresher CharlesC24from Rambling myself into a skein.
He was a shining sac of flesh
by Thresher CharlesC25from Rambling myself into a skein.
Caroline and me were real torn up about all that.
by Thresher CharlesC26from Rambling myself into a skein.
So what's the solution, Rose?
by Thresher CharlesC27from Rambling myself into a skein.
I read your obituary at the twenty-year reunion,
by Thresher CharlesC28from Rambling myself into a skein.
So what was your solution, Rose?
I think about it more than I'd like to admit.
by Thresher CharlesC29from Rambling myself into a skein.
Negative Public Opinion: And the whole bed to yourself. by Thresher Charles
by Samson ManoahC30from Public Opinion
Quote from Corporal Seatobaggon, only survivor of the Piglaton Massacre
Personal Conditions Manual Definition: Male Lesbian.
by Morny AmblinsonC32from Personal Conditions Manual Definition
Mosquito-derived salival anesthetic (MDSA)
by Samson ManoahC33from the mosquito says to the leaf, “am i in a trap?”
we found out how to extract
by Samson ManoahC34from the mosquito says to the leaf, “am i in a trap?”
the mosquitos are nearly all dead.
by Samson ManoahC35from the mosquito says to the leaf, “am i in a trap?”
and all of a sudden
by Samson ManoahC36from the mosquito says to the leaf, “am i in a trap?”
being stung feels like
by Samson ManoahC37from the mosquito says to the leaf, “am i in a trap?”
finally, as the mosquito landed down onto the leaf,
by Samson ManoahC38from the mosquito says to the leaf, “am i in a trap?”
Edith had the graveyard shift
by Thresher CharlesC39from And the whole bed to yourself.
Biting loose skin from below my lip.
by Thresher CharlesC40from And the whole bed to yourself.
Faye bit it after just about the most boring conversation you could have.
by Thresher CharlesC41from And the whole bed to yourself.
Faye tried to get out of the tub but was too weak to lift herself up.
by Thresher CharlesC42from And the whole bed to yourself.
Mercy was the only hospital for ten miles
by Thresher CharlesC43from And the whole bed to yourself.
It turned out she had swallowed it, that bit of her tongue.
by Thresher CharlesC44from And the whole bed to yourself.
on being forgotten:
by Samson ManoahC45from Just words in a certain order
if you can find pain in anything,
by Samson ManoahC46from Just words in a certain order
my life’s work
by Samson ManoahC47
the most intricate programming
by Josh Oakley [Pre ERA]C48from following trajectories